Instruments
of Torture
The Iron Maiden
The Iron Maiden
was used primarily in Germany, the most famous version being the
Iron Maiden of Nuremberg. This apparatus was essentially a large
container, shaped like a woman, equipped with two doors with adjustable
iron spikes. Legend has it that a German who had forged coins
was shut inside the Iron Maiden on August 14, 1515. His arms,
legs, belly, chest, bladder, genitals, eyes, shoulders and buttocks
were slowly pierced by the spikes causing excruciating pain but
not death. The Iron Maiden's embrace, much like many other investigative
methods, was designed not to execute but to torture.
aaIt
was inside the Torture Instruments Through the Ages exhibit at
the Museum of Man that I figured out why I hate Francesca. Somewhere
between the head crusher and the impaling rod it dawned on me.
She was Jack's what-if girl, the one he would have (perhaps
should have) slept with before I came along, but for some reason
never did.
aaTesting the sharpness of an iron spike, she could
have been the same girl in faded Levis and sandals we knew at
school ten years ago. I'd been looking for some evidence of change
in her face since she arrived the night before, but the only thing
I found was a new dark freckle on her bottom lip. And Jack, I
was beginning to realize, hadn't changed much either. So, as she
and Jack leaned into the various displays of chastity belts and
stockades while I waddled behind them, eight months pregnant with
hemorrhoids and sciatica, Francesca came to represent everything
Jack's life would have (perhaps should have) been had I not come
along.
aaWhen Francesca called and said she was going to
be in town for the weekend, Jack waited almost three days to tell
me. I know this, because I heard him talking to her in the baby's
room that used to be the office. I didn't need to hear him say
her name. I just recognized that tone. When we were all
friends and all lived in the same city I used to hate that tone.
I remember lying in his bed once while he talked to her in the
bathroom, wanting to gag at the way he picked up her accent, that
soft Brooklynese that was about as far from his native Wisconsin
tongue as Chinese or Swahili. It was that weird adopted New York
accent I heard coming out of the office turned nursery-in-waiting,
but rather than acknowledge that I'd been eavesdropping, I merely
waited for the bomb to drop. And I waited until I was at my now
weekly OB/GYN appointment before he dropped it.
aa"Frannie's going to be in town this weekend,"
he said, casually flipping through a weekly pregnancy guide.
aa"Hmph," I said. I couldn't help it.
aaMy doctor was up to the elbows, so to speak, but
looked at me when I grunted.
aa"Sorry."
aa"It's not you," I said.
aaJack looked at me over the top of an illustrated
uterus, scowling.
aa"When does she get here?" I asked.
aa"She's actually here already, in San Diego,
I mean, at a conference, but she'd like to stay with us for the
weekend."
aa"Humph."
aa"Everything looks great, Elaine," my kindly
and almost-handsome doctor smiled. "See you next week?"
aa"You bet," I said, flirting a little,
ignoring Jack's hand as it reached out to help me off the slippery
table.
aaBy
the time we got home I'd figured out a zillion reasons why she
shouldn't stay with us.
aa"Where will she sleep?" I asked.
aa"In the office," Jack said.
aa"In the crib?" Incredulous.
aa"On the air mattress."
aa"Isn't she allergic to cats?"
aa"Pollen and strawberries. Jesus, Laney."
aaBy the time Friday arrived, I'd given up.
Branks or scold's bridles (1500-1800)
These devices, often elaborately designed, were employed
to punish those who challenged prevailing conventions in general
and male authority in particular. These victims were predominantly
women, and the primary ruling was against women who spoke out
either in church or in the presence of a man. Consequently, branks
were often placed in the victim's mouth, ultimately mutilating
the tongue with it's inner spikes and blades. The victims were
forced to endure this method of torture in the public square,
vulnerable to the whims of the crowd who subjected them to a variety
of beatings and humiliations. They were frequently defecated upon
and even fatally wounded in their genitals or breasts.
aaShe has this knock. I've never remembered anyone's
knock before, but after I heard her suitcase rolling up our sidewalk
and then the sound of our screen door creaking open, I knew exactly
what to expect. Knock, pause, knock-knock-knock. A little
tap dance of knuckles on wood that recalled a whole other era
of my life. With that single rhythmic gesture, I was in Jack's
studio apartment in Seattle again, tangled up in the sheets and
Jack's legs. There was probably a thick dripping candle on the
windowsill. Everything smelled like candle wax those days. Even
sex. Knock, pause , knock-knock-knock. She was always interrupting
things. I'd never seen Jack get out of bed so quickly, his hands
flying to the top of his head to pat down the mess we'd made.
And I remembered not bothering with real clothes, just pulling
on Jack's flannel shirt and my panties, hoping that my attire
would indicate that she'd chosen a bad time.
aaBut now when I opened the door, she wasn't standing
there rain-soaked with a soggy backpack and a half-eaten gyro
in waxed paper, but rather tan and smiling, holding out a bunch
of irises.
aa"I picked these up at the Farmer's Market up
the street. What a great neighborhood this is! Doesn't feel like
southern California at all. And the ocean smells so good. I can
practically taste the salt. The closest I get to this in New York
is the smell of the pretzel guy down my street. I don't mean the
guy, but the pretzels."
aa"Hi," I said in a way that an old
friend should, taking the irises and hugging her. I held on an
extra few seconds, pressing my big belly into her as hard as I
could without seeming weird. When we stepped back, she touched
my shoulders and examined me like a dress.
aa"Look at you! You're just beautiful,"
she said, motioning to my stomach. "Does everybody want to
touch it?"
aa"The pizza guy asked last night," I nodded.
aa"I'd love to take some pictures," she
said. "Could we do that? Maybe on Sunday?"
aaFrancesca is a fashion photographer. She works freelance
for a number of different high-end magazines, the kind that you
can't find at the drugstore, and that if you do find them cost
$12.95 and feature snapshots of socialites and debutantes as well
as supermodels. At UW she was a double major in Fine Arts and
History. That's how she met Jack. Medieval History.
aa"Oh, I don't know," I said.
aa"Please?" she said, giving the dress a
little squeeze. aa"It'll be fun. And it's not
like it's some studio photographer, it's just me."
aa"We'll see," I said. "Maybe Sunday."
aa"Where's Jack?" she asked, letting go
of me.
aa"He's at school. He's got office hours until
3:00, and then he's coming home. We've got reservations at this
Italian place for 6:00. I figured Italian was okay. I can never
remember whether it's Italian or Mexican you don't like."
aa"Sweet Jesus, don't let my Italian grandmother
hear you. God bless her soul. Actually it's Thai. "And Indian.
I'm not such a huge fan of Indian."
aa"Good," I said. "Italian is good
then".
aa"Oh, I almost forgot. I have something for
you," she said, bending over to unzip her suitcase. Her waist-length
black hair swept the floor. She pulled out a wrapped package,
brown paper tied with a rustic bow of raffia.
aa"You didn't have to. . . . " I was starting
to feel guilty.
aa"Oh, it's nothing. It's just something I did
last fall. It made me think of you guys."
aaI carefully untied the raffia and unwrapped the
package without tearing the paper, pretending I was saving it
I guess, and held up the framed print.
aaThe photo was of a teenaged girl and boy, both of
them gaunt, their bare arms bearing black and white track marks.
They were standing on a stoop missing the second step, holding
hands. The boy looked defiant, his other hand stuffed into his
tight jeans. The girl looked enamored, gazing at him, her eyes
wide and scared, like a child afraid of letting go of her mother's
hand.
aa"They reminded you of me and Jack?"
aa"I mean, they're junkies and all, but look
how happy they are. Holding hands. They held hands the whole time
I was with them. Like they couldn't let go or else one of them
would disappear."
"It's great," I said. "It's perfect. Thank you."
aaThat night at my favorite Italian restaurant downtown,
the one in the Gaslamp District that has all this Italian kitsch
(velvet paintings of the Pope, autographed photos of Frank Sinatra,
even a ceramic Venus de Milo in the center of our table), Jack
and Francesca got drunk on the house Chianti, and I drank so much
Sprite I thought I'd either explode or go into a sugar coma.
aa"I was in Rome last year," she said. "For
six months."
aa"That's amazing," Jack said. "Isn't
that amazing, Laney?"
aa"Amazing," I nodded.
aa"It started with a shoot for Italian Vogue,
but I got, how should I say it, side-tracked?" Francesca
laughed.
aaJack looked confused.
aaFrancesca's hand shot across the table and grabbed
my wrist. "A boy. Of course, some friend of Naomi's. Long
pause. He was from Morocco, I think. Gorgeous. Dumb as a box of
rocks though. I should have known."
aaI wasn't sure what she was looking for from me.
Empathy? Because some supermodel set her up with some exotic African?
Or the fact that he was dumb? I shot a look at Jack who was staring
at the menu.
aaI nodded empathetically at Francesca, but she held
onto my wrist.
aa"Great in bed though," she whispered and
Jack's head shot up.
aaOver the bruschetta we shared, Jack and Francesca
finished the first bottle of wine, and I silently vowed I would
never let this child forget what I'd sacrificed during my pregnancy.
I even thought about stealing a few sips from Jack's wine glass
while they were exploring the Sistine Chapel Room, but knew that
gray teeth and stained lips would give me away. I ordered the
veal parmigiana, fully aware of the ironies. I also ordered a
salad and more bruschetta. Francesca, who didn't need a pregnancy
to alleviate her food guilt, ordered the spaghetti and meatballs
with extra meatballs and Jack got what he always gets, lasagna.
And while Dean Martin crooned and everybody but me got drunk,
I watched them.
aaJack is one of those men who is better looking when
he's telling a story. His face, when it's in a state of rest,
is highly uninteresting: brown hair that falls into his average
eyes, smallish mouth and nondescript nose (not too big, not too
small). But when he speaks, when his face comes alive, and he
is relaying anything from the weather forecast to his feelings
about something important, that's when I remember the flutters
I used to get in my gut whenever he was close.
aaAt the Italian restaurant he was talking about the
Spanish Inquisition exhibit, about the largest collection of authentic
torture devices assembled in the United States. Francesca was
positively rapt, and I could tell that she noticed his transformation
too. His skin was illuminated by the red glow of the mesh-covered
glass candleholder. He was resting his elbows on either side of
the plate, his hands fluttering like birds as he described the
various instruments of torture.
aaFrancesca had on a simple black linen dress, sleeveless,
revealing arms that looked manufactured by a gym, but I knew were
just the accidental byproduct of lugging camera equipment around.
Francesca was not the gym type. Her hair was up off her neck,
but it was hot, and she had to keep pushing stray pieces away
from her face. We were all sweating. Being pregnant through the
entire summer, I had become accustomed to the misery of being
too hot for my skin. But inside that restaurant there was something
more than late summer making me uncomfortable. There it was again.
Brooklyn coming out of Jack's thin lips.
aa"They've got an executiona's axe, thumbscrews,
spiked collas."
aa"Collars," I said. "Spiked collars."
aa"That's what I said," Jack said, looking
at me as I sucked more Sprite through my straw. I stared into
the red plastic tumbler.
aa"We could go, tomorra, if you want?" he
said.
aa"Fantastic. Do they allow cameras inside?"
aaI drove us home, taking the long way around the
harbor to avoid the inevitable return to our interrupted home.
aaWhen a stranger comes to your house, suddenly you
start to see your things in a whole new way. When Jack finally
managed to get the key in the door, and I turned on the lights,
I tried to see our things the way Francesca might.
aaWe still didn't have a real couch. It was the one
expense neither one of us was quite ready to accept. Since college
we'd been sitting on Goodwill couches of various plaids and burlap,
fantasizing about the day we'd be able to buy one of those couches
they always advertise in the Sunday papers supplements. I favored
the velvety type, filled with down. Jack preferred the wooden
framed sort, sensible and versatile. And so what we had was a
faux patchwork love seat, cushions flipped to strategically hide
the tears.
aaJack went to the bathroom. Francesca tossed her
purse onto the floor and sat down on the couch. I cringed.
aa"Come here," she said to me, motioning
for me to come sit next to her. I set down the Styrofoam container
with Jack's leftover lasagna inside and reluctantly went to her.
She reached her hand up and grabbed mine.
aa"Sit," she said.
aaI obeyed.
aa"You seem so happy," she said.
aaI didn't know what she was talking about. I'd been
quiet and pissed off the whole night. Maybe my Cheshire cat smile
had worked.
aa"I'm glad everything's come together for you."
I wouldn't even know she was drunk if I hadn't watched her down
two bottles of Chianti with my husband. And go figure, her teeth
weren't stained.
aa"You have everything you wanted," she
said.
aa"What do you mean?" I asked.
aaShe turned to me and looked at me hard. I stared
at her eyebrows, their perfect black arches, one raised slightly
more than the other, but still somehow perfectly symmetrical.
aa"I mean. . . the house. The baby."
She reached for my belly, smiling, and I had to resist the distinct
urge to recoil from her long pretty fingers.
aaHer expression turned serious.
aa"Don't you have everything you wanted too?"
I asked. aa"Your job? The travel?"
aa"I mean. . . "she whispered, leaning
into me. aaThen I smelled the wine on her breath.
"Jack."
The bathroom door opened, the sound of the toilet bowl filling
with water punctuating the silence.
aa"Anybody want to play cards?" Jack asked,
grinning foolishly, and I wanted to run to him and wrap myself
around him, to say to her, He's mine. Now go home. Instead,
I said, "Let's play Hearts."
The Saw
This particular large-toothed, four-handed woodsman's saw
dates back only two centuries, though historical accounts of its
victims abound. The unfortunate subject was suspended upside-down,
and the saw was used to split the body in two, beginning at the
crotch. Because the victim was inverted, the brain remained adequately
oxygenated and little blood was lost, ensuring that consciousness
was maintained until the saw reached the navel and even possibly
the breast. The saw was frequently assigned as a method of torture
and execution to homosexuals of both sexes. In Spain, the saw
was rumored to have been used in the armed forces until the end
of the eighteenth century. The saw was the chosen method of execution
for leaders of disobedient peasants in Lutheran Germany, and in
France it provided punishment for witches who became pregnant
by Satan.
aI found out I was pregnant the same day I got laid
off from my third job this year. In the morning, while Jack was
sleeping, I peed on the fourth pregnancy stick in as many days,
setting it on the edge of the counter while I flossed my teeth.
I already knew what the Magic 8-Ball would say (it had been saying
the same thing for four days), so I took extra time, flossing
and rinsing, flossing and rinsing.
aaJack's first class wasn't until noon, so I left
the stick on the counter and a note in the leftover steam on the
mirror. Hi, Daddy.
aaThen I went to work.
aaBut what I imagined, the phone call saying, Come
home. Tell them you're sick. I'll be there in ten minutes, oh
my God I am so happy. . . didn't have time to happen.
aaI had already lived this scene. The first time it
had surprised me: the inevitable crying secretary standing at
the boss's door clutching a box of tissues and a framed photo
of her three children (or cats, or boyfriend), the computer equipment
stripped from the desks, the chaos of workers breaking down cubicle
dividers, walls falling around people struggling to get their
personal e-mails off the hard drive. And so I emptied my drawer
filled with Tootsie Rolls and did what my friend Zelda calls the
dot-bomb dance (which typically entails lots of profanity and
gesturing toward the boss and workers and crying secretary) all
the way out the door.
aaWhen I got home, Jack was reading the paper, eating
a bowl of Bran Flakes.
aa"Hi," I said.
aa"Oh shit," he said, like a question. To
be polite.
aaI nodded. "My cubicle was missing. They left
my desk, but they took my walls before I even got there."
aaJack nodded and folded the newspaper.
aa"Did you get my message?" I asked.
aa"What message?"
aa"In the bathroom?"
aa"You left me a message in the bathroom? Why
didn't you put it on the dry erase board?"
aaI sat down at the table and covered my face with
my hands.
aa"Well, are you going to tell me?" he asked.
aa"I'm pregnant," I said, staring at his
cereal bowl, at the sensible bran, at the brown milk.
aa"Oh shit," he said. And this time it wasn't
like a question at all.
aaOver time, of course, we both warmed up to the idea.
Jack even transformed into a new but familiar kind of Jack, the
kind of Jack concerned with the safety of high chairs and cribs.
I was more fascinated with names and how very small the socks
and t-shirts were. By the time Francesca arrived, we'd settled
into the pregnancy like a secondhand couch.
aaIn the morning, while Jack was still sleeping and
the door to the baby's room remained closed, I stared at my naked
body in the mirror and thought, This is it. You will never
see your ribs again. I rubbed a futile handful of cocoa butter
lotion across the great mountain of my stomach. I did it in the
beginning to ward off stretch marks that defiantly appeared anyway.
Now I just did it because my skin was stretched beyond recognition
and itched beyond belief.
aaI pulled the prettiest dress I had over my head,
yanking it down over my round middle, and thought about squeezing
my swollen feet into a cute pair of strappy sandals. I opted for
flip-flops (and a modicum of comfort) instead and went to the
living room to wait for them to wake up.
aaFrancesca came out first. She was wearing an oversized
t-shirt that just reached the middle of her thighs. Her hair was
tangled and she rubbed her eyes like a child. "Morning,"
she said and disappeared into the bathroom.
aaCoffee. The other forbidden beverage. I made a pot
of coffee out of habit for Jack, holding my nose against the temptation
of it all. Jack emerged from the bedroom and, seeing the bathroom
door closed, came to me in the kitchen. He wrapped his arms around
me and my big stomach, nuzzling his head into my neck. "Thank
you," he said and I almost forgave him for letting Francesca
win at Hearts.
The Judas cradle
This method of
torture was perhaps one of the most vicious and painful exercised
in the Middle Ages. The victim was first stripped and then suspended
over a jagged or pointed pyramid. The torturer, using ropes and
pulleys, was able to raise and lower the victim so that the point
would penetrate either the anus, the vagina, or the scrotum. Using
these ropes and pulleys, the pressure ranged from none to the
total weight of the victim's body. The victim was frequently made
to fall repeatedly onto the point.
aaWho am I kidding? I guess I've always known that
Francesca is Jack's what-if girl. She has been his imagined
future since Jack and I first met, since the possibility of Francesca
became something unknowable to Jack. Something out of reach. But
it really hits me at the torture exhibit. Like a chain flail across
my back.
aaJack met Francesca in the Medieval History seminar
at UW. They were friends for an entire year before he met me (at
the coffee shop where I worked for one semester before the Starbucks
across the street put it out of business and me out of a part
time job). That year of friendship between them was something
I could never catch up on. No matter how long Jack and I were
together, Francesca will have always known him longer.
aaThe first few times we went out, Francesca came
along. I was surprised the first time when he arrived to pick
me up with Francesca following close behind, snapping photos and
cracking jokes. At first I thought she was his sister. They had
the same accent.
aaI never got used to it. Not when she came with us
to the French film festival at the Varsity (Jack sandwiched between
us, staring helplessly at Emmanuelle Beart, totally nude for four
hours in La Belle Noiseuse). Not when she knocked on the
door in the middle of our first night together with news of her
grandmother's death (Jack sandwiched between us on the first Goodwill
couch, staring helplessly at the pot of tea on the coffee table
in front of us as Francesca cried about her Nonna). It
wasn't until we graduated and she moved to New York that I finally
felt free. When Jack started applying to graduate schools, I sabotaged
the NYU and Columbia brochures that arrived in his post box like
small slaps in the face. When he got accepted into UCSD, I packed
his clothes (tossing the faded UW t-shirt she'd forgotten once
that wound up unwashed, pristine, in his drawer).
And for a while, the amputation of Francesca seemed clean. Jack
started and finished graduate school. I got my first job with
an Internet startup. And Francesca was nothing more than a phantom
limb, making her presence known only in postcards and the occasional
message on the machine.
aaBut now, inside the dark recesses
of the Museum of Man, there was that year all over again. I might
have been having his child, but she had that year. That year that
they met before I came along, when everything was possible. That
year when they spent their afternoons in the coffee shop where
I eventually was hired and fired. When they took the bus to the
Pike Place Market and wound up at the sex-toy shop giggling over
dildos and vibrators and edible panties. That year that they studied
Medieval History late into the night, not-kissing.
aaMy back was aching and my skin was itching and my
hemorrhoids were burning as we perused the instruments of torture.
Francesca made Jack and me pose with the Iron Maiden and clicked
several shots.
aa"One more?" she pleaded.
aaJack smiled broadly, and I grimaced when the flash
went off.
I wandered away from the Iron Maiden and sat down on a bench near
the exit and put my head between my knees.
aa"Nauseating, isn't it?" The security guard
offered me a cone-shaped cup of water.
aaConfused, I looked at Jack and Francesca pointing
in mutual horror at an iron mask.
aa"Sickening," I agreed.
aa"In your condition, you'd think you wouldn't
want to be around this kind of thing," he said.
aaI nodded and accepted the water.
The Chastity Belt
The myth of the
medieval chastity belt was that it was used to ensure fidelity.
However, wearing one of these devices for any significant amount
of time would inevitably lead to lacerations, abrasions, and even
sepsis. More likely, a woman would use the chastity belt as a
protective device against rape which was an ever-present threat.
So, though not a traditional device associated with torture, the
chastity belt still represents the barbarism of the medieval male.
aaJack and I have not had sex for over a month. In
the beginning, it was easy to pretend that nothing had changed,
that my body wasn't metamorphosing into something neither of us
recognized. But after about five months, I no longer remembered
what my old butt looked like, and lying on my back didn't make
my stomach appear to be flat anymore. Jack's been a good sport
about the abstinence, he gave up trying almost three weeks ago,
but almost every joke he makes is of the sexual sort lately. He's
become the king of dirty jokes, his frustration channeled into
one punch line after another.
aa"So this nurse keeps sneezing, and the second
nurse says, 'Geez, are you all right?' And the first nurse says,
'Yeah, I'm fine, but I can't stop sneezing.' The second nurse
says, 'That's terrible.' The first nurse says, 'It's okay, because
every time I sneeze I have an orgasm.' The second nurse says,
'Wow! Are you taking anything for it?' The first nurse says, 'Yeah.
Pepper.'"
aaJack slapped the table at the Mexican restaurant,
and my rolled taco rolled off my plate.
aaFrancesca sipped on her margarita and I sucked on
my Sprite. Jack was contemplating another dirty joke, probably
trying to formulate it in his mind.
aa"What would you like to do tonight?" I
asked. "It's your last night here."
aaFrancesca licked a bit of salt from her lip and
said, "I don't know. Maybe go take a walk on the beach?"
aa"What about a movie?" I asked.
aa"Sure," she said.
aa"Let's get a paper and see what's playing."
The idea of killing a couple of the remaining excruciating hours
of Francesca's visit by sitting in a dark theater, not talking,
seemed like the best idea I'd had in awhile.
aaThen Francesca sneezed. And then she sneezed again.
And again. And again.
aaJack's hand shot out for the pepper shaker in the
center of the table. He handed it to her, grinning with pride.
aa"Jeez, I must be allergic to something around
here."
aa"Hmph," I said. I couldn't help it.
aaSitting
in the movie theater was its own kind of torture. Not only did
Jack find his usual place sandwiched between us, the mismatched
bookends, holding the giant bucket of popcorn we were all supposed
to share, but it wasn't one of those new plush theaters with the
comfortable seats, and my sciatica was almost unbearable. By the
time we got back to the house, I felt like electric shocks were
traveling from my hip all the way down my leg.
aa"Let's go walk on the beach!" Francesca
said. "It's a full moon. It'll be beautiful."
aa"Go ahead," I said, waving them away.
Giving up. If they said they were running away together, I probably
would have bid the same fond adieu. I lowered myself onto the
ugly couch and clicked on the TV.
aaFrancesca borrowed one of Jack's sweaters to wear
to the beach. When she pulled it over her head, her hair was trapped
inside, and she didn't bother to pull it out. She looped her arm
through Jack's and waved. "We'll be back in a little bit."
aaAfter they closed the door, I heard Jack saying,
"Oh, oh, you've got to hear this one . . . so anyway, this
priest and this prostitute meet at a bar. . . ."
aaI'd had to do this before let them go. To
a Prince concert one night when I had to study for an exam. To
the mountains one weekend when I got the flu. To the grocery store,
apple-picking, and fishing. Antiquing, bike-riding, to the dentist
when Jack had his wisdom teeth removed. I couldn't be there all
the time. I couldn't watch over them in the hopes that nothing
would happen. I just had to trust. And so far, nothing had. As
far as I knew.
aaAll of a sudden the baby kicked and my stomach dropped.
aaAs far as I knew. I didn't know anything. I hadn't
been with them in the mountains. I hadn't been in the canoe with
them on Lake Washington, or inside the dusty antique store in
Fremont. Was I crazy? The only thing I knew was what Jack didn't
say. And Jack didn't say much.
aaMy heart beating, my hands sweating, and the electric
current in my butt buzzing, I limped into the baby's room and
closed the door behind me. Francesca's bags were placed carefully
in the corner, the makeshift bed made. The moon shone through
the window and through the bars of the crib making a cage on the
floor. I sat down on the carpet and opened her suitcase first.
aaInside it smelled like her detergent. Jeans, soft
T-shirts, a flowery sun dress. The linen dress she wore to dinner
and two pairs of stockings. A worn paperback missing the cover
and a jewelry bag full of dangly earrings. I carefully reached
into the pocket of her jeans and felt the rough edge of a piece
of paper. I pulled it gently out and peered at the handwriting.
It had been through the wash. Toilet paper. Film. Benadryl.
My hands were shaking. I shoved the note back into her pocket
and zipped the suitcase quickly.
aaI reached for the black leather book bag next, my
leg a live wire, my throat thick.Inside was her address book,
held together with a rubber band. A copy of Interview magazine.
The roll of film she'd taken at the museum earlier. I touched
the canister and thought about Francesca in her darkroom, the
pictures of Jack and I by the guillotine outside, the sun in our
eyes, me clinging to Jack's hand. I thought about the heroin addicts
in the gift she'd given us and slipped the canister in my pocket.
aaThe air outside exploded. I leapt to my feet, almost
collapsing. One leg was humming, and the other was asleep. I was
completely made of currents. Outside I could see the small explosions
of the nightly fireworks display at Seaworld. This view was one
of the reasons why we bought this house rather than the larger
one up the hill. A loud crack, and the sky was splintered with
red lights. I imagined Jack and Francesca, walking along the deserted
beach, noticing the fireworks in the distance. I imagined them
holding hands. I imagined everything.
aaBy the time they came back in the door, offering
me a warm churro from the all-night taco stand around the corner,
I was convinced I'd been wrong all along. Francesca wasn't his
what-if girl at all. Everything about the way they came
in, giggling at Jack's joke about the little boy catching his
parents doing it, offering me the long cinnamony stick of dough
(a strange compensatory gratuity) said guilty, guilty.
The Interrogation Chair
This chair was built of iron and equipped with either wooden or
iron spikes (which could be heated up from behind). Also called
the "Confession Chair," this chair inflicted unbearable
pain to its victim. Still used in some countries to elicit confessions,
modern interrogation chairs are sometimes equipped with an electrical
current.
aaIn the bedroom I waited for Jack.
I turned down my side of the bed, got in, and crossed my arms.
I didn't turn out the light. I only waited. I could hear the sound
of water running in the bathroom, the shuffle of Jack's feet as
he turned out the lights. Francesca's "Night, Jack,"
and the hesitation before her door closed.
aa"Why are you still awake? "Jack asked,
peeling off his sweater and shirt.
aa"Don't get sand in the bed," I said.
aa"You okay?" he asked, crawling in next
to me, putting his ear against my stomach the way he did every
night. "Good night, baby," he whispered, his lips grazing
my inverted belly button.
aa"I need you to do to that thing you do with
my back," I said.
aa"It's bad tonight, isn't it?"
aaI nodded, feeling like I was going to cry.
aaI rolled over on my side, and he pressed his bare
foot hard against my tailbone. At first it hurt, and I moaned.
I thought for a second that Francesca, on the other side of our
wall, might mistake my pain for passion, so I moaned again. But
then the trick started to work, and for the first time in days
the pain was gone. The circuit breaker was shut off, and my leg
felt like a leg again.
aa"Better?" Jack asked.
aaI nodded and he reached across my giant stomach
to turn out the light.
aaThere was sand on my back from where his foot had
been, but I just brushed it away and squeezed my eyes shut.
aaIn
the morning, Francesca made pancakes in my kitchen and Jack read
the Sunday paper. I took a shower, feeling like I'd slept on the
beach.
aaI sat down next to Jack and grabbed the advertising
supplements. I scoured them for the battery-operated infant swing
we'd had our eyes on.
aaJack looked over my shoulder. "It's on sale,"
he said.
aaI smiled. "Let's go get it today. After Francesca
leaves."
aaJack kissed my cheek.
aa"Let's take pictures today," Francesca
said, putting down a plate of steaming pancakes in front of me.
"While Jack's at school."
aa"Why are you going to school today?" I
asked.
aa"I'm meeting one of my students. She's failing,
and she couldn't make my office hours Friday. They've got an exam
tomorrow."
aa"Oh," I said.
aa"It'll be fun," Francesca said. "I
promise."
aaAfter Jack left, Francesca set up the tripod and
umbrella lights that she had in her rental car. She used a large
sheet to transform our small living room into a virtual studio.
I looked through my closet for something to wear.
aa"Get something simple. We don't want this to
be about your clothes," she said.
aaI found the one not-so-little black dress that still
fit and pulled it on.
aa"Gorgeous," she said. "Now stand
right over there and let me check the lights."
aaFrancesca was actually very good. I forgot for awhile
that I hated her, and even felt proud of my belly, even when I
looked at her bare midriff exposed each time she lifted her arms
to raise or lower the lights.
aaAn hour went by before we took a break.
aa"I'm having such a good time," Francesca
said, sitting down on the couch, opening the soda can I brought
her. The lights were hot, and we were both thirsty.
aa"Well, I know it means a lot to Jack to stay
in touch."
aa"I mean with you," she said. Then
she gestured to my stomach. And the baby.
aaI sipped on my lemonade.
aa"I know you don't like me," she said.
aaThe baby kicked me in the ribs, and I winced.
aa"I mean, I wouldn't like me either," I
suppose.
aaI didn't know what to say. My face was sweating.
I shook my head weakly in protest.
aaBut instead of further explanation, she offered
me nothing. Why shouldn't I like her? She was Jack's old best
friend. She and Jack weren't exes. They weren't lovers. What was
she talking about?
aa"I want some nude photos," I blurted out.
"For Jack's birthday."
aa"Perfect," she said, and I took off my
clothes.
aaMaybe I just wanted to show her the reality of what
Jack and I had. Maybe I thought that my naked stomach and swollen
breasts (and ankles) might clarify for her that she might have
that extra year, but I had his offspring. His progeny. She couldn't
match that. She just couldn't. And so I lay on my back and closed
my eyes, while she fanned my hair out like strange mermaid and
took an aerial photo of my very pregnant body. After another hour,
I didn't feel shy or strange anymore and I thought that I could
live like this. Naked. Wild. Beautiful. Maybe I just wanted to
prove that I was every bit as exciting as she was.
aaI don't hate you, Francesca. I feel sorry for you. That's what I should have said.
aaWhat I did say was, "My back is killing me
and this baby wants food. Let's call it a day."
aaWhen Jack came home, Francesca took a shower.
aaI sat at the kitchen table and stared at the side
of the refrigerator. "I need to know something," I said.
aa"What's that?" Jack asked, peering into
the cupboard for something to eat.
aaThere was a long drip mark running down the side
of the fridge. A misplaced magnet. An old lasagna noodle peeking
out from under the fridge. I could hear Francesca turning the
hot water on, the sound of her clothes coming off.
aa"I was just wondering if you ever think about
what would have happened if I hadn't been working that day. At
the coffee shop."
aa"You mean Latté for Work?"
aa"No, the first coffee shop. In Seattle."
aa"You mean if we'd never met?" he said,
closing the cupboard door and sitting down next to me at the table.
aa"Yeh. If we'd never met."
aaHe reached out and touched my stomach, absently,
in the way both of us had become prone to doing.
aa"Let me think," he said.
aaGood idea,
I thought.
aa"Well, I certainly wouldn't have finished school.
I probably wouldn't have moved to California. I probably wouldn't
have even moved out of that studio apartment."
aaI covered his hand with my own as the baby wriggled
under our fingers.
aa"I wouldn't have gotten married," he said
seriously.
aaMy heart beat in my throat, and I looked at his
face. His honest face.
aa"And I certainly wouldn't have been anybody's
daddy."
aaThe baby gave a kick that nearly knocked the wind
out of me, and I squeezed his hand.
aaJack
helped Francesca load up the rental car and scribbled directions
to the airport in her address book. I hugged her, and stood in
the door touching my belly as she and Jack walked down the street
to her car. I went back inside and closed the door. I did not
look out the window. Didn't even peek.
aaIn the bathroom, I tried to flush the stolen roll
of film down the toilet, but it resurfaced again. I quickly fished
it out and tossed it in the waste basket.
aaWhen Jack came back I was in the baby's room deflating
the air mattress. I unplugged the valve and sat all of my 174
pounds down square in the center and listened to the whistle of
the air escaping.
aa"Well that was a nice visit," he said
and sat down next to me.
aaTogether we waited for the air to escape, Jack pushing
the places I couldn't reach, until we were both touching the ground
and the air mattress was completely empty.
The Guillotine
The purpose of
this device was not torture but execution. The apparatus, comprised
of a blade which falls between two vertical columns equipped with
grooves, was designed to behead and was used as early as the fourteenth
century. It is named after Joseph-Ignace Guillotin, a French physician
elected to the National Assembly in 1789 who mandated that all
executions be performed by this painless method. Painless perhaps,
but scientists soon discovered (and this has been confirmed by
modern neuroscience) that a head that is cut off in this swift
manner is well aware that it has been beheaded, maintaining consciousness
just long enough to perceive this.